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The Encyclopedia of Sculpture: 3-volume set

The Encyclopedia of Sculpture: 3-volume set (Hardback)

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Synopsis

For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Encyclopedia of Sculpture website.



With an international scope, this fully illustrated reference spans the entire history of sculpture, from prehistoric times to the twenty-first century. While devoting significant attention to individual artists and their works, the Encyclopedia also explores sculpture from the vantage points of history, criticism, theory, aesthetics, production, training, and presentation, making this the most comprehensive, in-depth source on the subject ever published.

Art, Fashion & PhotographyArt monographs, history & theoryArt formsNon-graphic art forms incl Digital, Sculpture & InstallationsReference & ResearchEncyclopaedias & reference worksReference works Publisher: Taylor & Francis Inc Publication Date: 20/11/2003 ISBN-13: 9781579582487  Details: Type: Hardback Format: Books
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Dr. Antonia Bostroem is an Assistant Curator in the Department of European Sculpture and Decorative Arts at the Detroit Institute of Arts. She has held curatorial positions at the Royal Academy of Arts, London; the Victoria and Albert Museum, London; and the National Portrait Gallery, London. Bostroem earned her Ph.D. from the Courthauld Institute of Art, London University in 1996. She is a contributing author to The Medici, Michelangelo, and Late Renaissance Art in Florence, 1537-1631 (Yale University Press, 2002); and Treasures from the Detroit Institute of Arts: Masters of Impressionism and Modern Art (Detroit Institute of Arts, 2001). She has authored numerous essays including "Giovanni Maria Benzoni, Randolph Rogers and the Collecting of Sculpture in Nineteenth-Century Detroit," Sculpture Journal (2000); "The Florentine Sculptor Raffaello Peri," Burlington Magazine (1998); and "The Acquisition of Flemish Landscapes for Italy on the Antwerp Art Market," Nederlands Kunsthistorisch Jaarboek (1997).

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