Enter your search into one or more of the boxes below:
You can refine your search by selecting from any of the options below:
Blackness and Modernism: The Literary Career of John Edgar Wideman

Blackness and Modernism: The Literary Career of John Edgar Wideman (Paperback)

Printed to order. Despatched in 2-3 weeks.
Email me when back in stock


During his career as a writer-intellectual, John Edgar Wideman in his personal life has overcome feelings of alienation from the black community and has reoriented himself as a participant in black culture. In his fiction Wideman has affected a similar shift, using modernism and postmodernism to bring his intellectual characters out of their isolation and into contact with the needs, concerns, and traditions of black people. Before he could write about this shift, Wideman had to inform himself about black culture. An eight-year period of immersion in the works of nineteenth- and twentieth-century authors gave him the resources he needed. Using them he was able to circumvent modernism's dead-end, pessimistic world view and at the same time chart a new course for other, similarly estranged black intellectuals. Coleman identifies three main stages in Wideman's career: the early books (A Glance Away, Hurry Home, and The Lynchers); the Homewood trilogy (Hiding Place, Damballah, and Sent for You Yesterday); and the recent books (Brothers and Keepers and Reuben). Blackness and Modernism is the first comprehensive study of Wideman and his novels, and it shows him to be a writer emerging as a major figure in black and American literature. It shows him too as a writer whose progress has been to move away from such modernist masters as Eliot, Faulkner, and Joyce into the rich world of black culture, while retaining modernist techniques. Included also in Blackness and Modernism is Coleman's interview with Wideman, conducted in 1988.

Essays & WritingLiterary CriticismLiterary studies: generalPhilosophy, Psychology & Social SciencesSocial groupsEthnic studiesBlack & Asian studies Publisher: University Press of Mississippi Publication Date: 01/07/1989 ISBN-13: 9781604738469  Details: Type: Paperback Format: Books
Availability: Printed to order. Despatched in 2-3 weeks.  

James W. Coleman is a professor of English at the University of North Carolina at Chapel Hill.

More books by James W. Coleman

Leave Review


Delivery Options

All delivery times quoted are the average, and cannot be guaranteed. These should be added to the availability message time, to determine when the goods will arrive. During checkout we will give you a cumulative estimated date for delivery.

Location 1st Book Each additional book Average Delivery Time
UK Second Class Available free for ALL orders. No charge for each additional book. 3-7 Days
UK First Class £4.50 £1.00 1-2 Days
UK Courier £7.00 £1.00 1-2 Days
Western Europe** Courier £17.00 £3.00 2-3 Days
Western Europe** Airmail £5.00 £1.50 4-14 Days
USA / Canada Courier £20.00 £3.00 2-4 Days
USA / Canada Airmail £7.00 £3.00 4-14 Days
Rest of World Courier £22.50 £3.00 3-6 Days
Rest of World Airmail £8.00 £3.00 7-21 Days

** Includes Austria, Belgium, Denmark, France, Germany, Greece, Iceland, Irish Republic, Italy, Luxembourg, Netherlands, Portugal, Spain, Sweden and Switzerland.

Delivery Help & FAQs

Returns Information

If you are not completely satisfied with your purchase*, you may return it to us in its original condition with in 30 days of receiving your delivery or collection notification email for a refund. Except for damaged items or delivery issues the cost of return postage is borne by the buyer. Your statutory rights are not affected.

* For Exclusions and terms on damaged or delivery issues see Returns Help & FAQs

You might also like

C.L.R. James: The Artist as...
Paul Buhle; Lawrence Ware
Routledge Handbook of the Indian...
Radha Sarma Hegde; Ajaya Kumar Sahoo
The British Blues Network: Adoption,...
Andrew Kellett
The End of Concern: Maoist China,...
Fabio Lanza
Latest Blog
Under the Knife: Recreating the Grimy World of Victorian Surgery

Lindsey describes how she made the trailer for her debut The Butchering Art in order to see how the sights, sounds, and smells of this gruesome period in medical history would translate onto the screen.

The Sky Doesn't Have to be Blue: Steve Antony on Life as a Colour Blind Illustrator

Steve explains what it's like to be a colour blind illustrator and why the sky doesn't have to be blue.

The Gordon Burn Prize - Interrogating the Past

In advance of the winner announcement, we review the titles shortlisted for this year's Gordon Burn Prize

View all Blog Entries
Show/Hide Tweets
© W&G Foyle Ltd