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The International Recording Industries

The International Recording Industries (Paperback)

£37.99
Printed to order. Despatched in 2-3 weeks.
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Synopsis

The recording industry has been a major focus of interest for cultural commentators throughout the twenty-first century. As the first major content industry to have its production and distribution patterns radically disturbed by the internet, the recording industry's content, attitudes and practices have regularly been under the microscope. Much of this discussion, however, is dominated by US and UK perspectives and assumes the 'the recording industry' to be a relatively static, homogeneous, entity. This book attempts to offer a broader, less Anglocentric and more dynamic understanding of the recording industry. It starting premise is the idea that the recording industry is not one thing but is, rather, a series of recording industries, locally organised and locally focused, both structured by and structuring the international industry. Seven detailed case studies of different national recording industries illustrate this fact, each of them specifically chosen to provide a distinctive insight into the workings of the recording industry.

The expert contributions to this book provide the reader with a sense of the history, structure and contemporary dynamics of the recording industry in these specific territories, and counteract the Anglo-American bias of coverage of the music industry. The International Recording Industries will be valuable to students and scholars of sociology, cultural studies, media studies, cultural economics and popular music studies.

Art, Fashion & PhotographyArt monographs, history & theoryHistory of art / art & design stylesBusinessIndustry & industrial studiesMedia, information & communication industriesMusic industryMusic & DanceMusic BooksMusic: styles & genresIndividual composers & musicians, specific bands & groupsMusic & DanceMusic BooksMusic: styles & genresRock & Pop musicPhilosophy, Psychology & Social SciencesCultural StudiesPopular culturePhilosophy, Psychology & Social SciencesEthical issues & debatesEthical issues: censorshipPhilosophy, Psychology & Social SciencesMedia StudiesPhilosophy, Psychology & Social SciencesSocial groupsAge groupsAge groups: adolescentsPhilosophy, Psychology & Social SciencesSocial groupsAge groupsAge groups: adultsPhilosophy, Psychology & Social SciencesSocial groupsAge groupsAge groups: childrenPhilosophy, Psychology & Social SciencesSocial groupsSocial groups: clubs & societiesPhilosophy, Psychology & Social SciencesSocial issues & processesConsumerismPhilosophy, Psychology & Social SciencesSocial issues & processesIllness & addiction: social aspectsDrug & substance abuse: social aspectsPhilosophy, Psychology & Social SciencesSocial issues & processesIllness & addiction: social aspectsHIV / AIDS: social aspectsPhilosophy, Psychology & Social SciencesSocial issues & processesPolitical correctnessPhilosophy, Psychology & Social SciencesSocial issues & processesSocial interactionPhilosophy, Psychology & Social SciencesSociologySocial theoryPhilosophy, Psychology & Social SciencesSociologySociology: work & labour Publisher: Taylor & Francis Ltd Publication Date: 01/09/2014 ISBN-13: 9781138822856  Details: Type: Paperback Format: Books
Availability: Printed to order. Despatched in 2-3 weeks.  

Lee Marshall is a Senior Lecturer in Sociology at the University of Bristol. His research interests focus on popular music, intellectual property and celebrity. Previous publications include Bob Dylan: The Never Ending Star (Polity, 2007), Bootlegging: Romanticism and Capitalism in the Music Industry (Sage, 2005) and Music and Copyright (co-edited with Simon Frith, Edinburgh University Press, 2004).

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