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The Snettisham Hoards
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The Snettisham Hoards (Paperback)

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For over 60 years, spectacular discoveries have been made on a wooded hillside at Snettisham, overlooking the northwest Norfolk coast, close to Hunstanton. The location of the discoveries, at Ken Hill, is known as the 'gold field' because of the large number of gold and silver alloy neck-rings ('torcs') and coins recovered from the site. Known as the 'Snettisham Treasure', these objects represent one of the largest collections of prehistoric precious metal objects ever discovered, and one of the largest concentrations of Celtic art. The objects were found in at least 14 separate hoards buried between 150 BC and AD 100 - spanning the late Iron Age and early Roman periods, but with a peak of activity during the late Iron Age. The objects from Snettisham are widely known, but the site has never been fully published.

This book is the first comprehensive account of the discoveries and excavations at the site and presents a full catalogue of the finds. The majority are in the British Museum, with a significant collection also held by Norwich Castle Museum. The book also presents the results of extensive scientific analysis, revealing new and exciting details about how torcs were manufactured.

The final section places Snettisham in its wider social and landscape context. The authors argue that each hoard represents different collection and depositional histories. The repeated, yet varied, acts of deposition at the site were part of creating, negotiating and reinforcing social structures, as well as performing and creating social change.

Art, Fashion & PhotographyArt monographs, history & theoryHistory of art / art & design stylesHistory of art: pre-historyHistory & PoliticsArchaeologyArchaeology by period / regionPrehistoric archaeology Publisher: British Museum Press Publication Date: 31/12/2021 ISBN-13: 9780861592258  Details: Type: Paperback Format: Books
Availability: Pre-order for despatch on publication. Pre-Order

Jody Joy is a senior curator at the Museum of Archaeology and Anthropology, University of Cambridge. Prior to that he was Curator of European Iron Age Collections at the British Museum. He is a specialist in the art and material culture of the European Iron Age. Julia Farley is the curator of the British and continental European Iron Age collections at the British Museum. Her research interests include craft and production, especially metalwork and metalworking technologies, Iron Age ritual and depositional practices, and the colonial encounter between communities in Iron Age Britain and the Roman world.

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