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Aux limites de l'imitation: L'<i>ut pictura poesis</i> a l'epreuve de la matiere (XVIe-XVIIIe siecles)
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Aux limites de l'imitation: L'ut pictura poesis a l'epreuve de la matiere (XVIe-XVIIIe siecles) (Paperback)

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Aux limites de l'imitation pose une question audacieuse que les innombrables etudes existantes sur l'ut pictura poesis a l'age classique ont eu tendance a laisser dans l'ombre : celle de la matiere comme limite de l'imitation, suivant l'hypothese selon laquelle le surgissement du materiel est a l'origine du delitement de l'ut pictura poesis au cours de l'age classique. Les etudes reunies ici abordent cette question pour l'ensemble de l'age classique (allant du XVIe a la fin du XVIIIe siecle) ainsi que pour les principaux domaines artistiques que l'on peut distinguer (litterature, peinture, sculpture, musique, danse).

Art, Fashion & PhotographyArt monographs, history & theoryHistory of art / art & design stylesHistory of art: c 1600 to c 1800 incl the Baroque & RococoEssays & WritingLiterary CriticismLiterary studies: poetry & poets Publisher: Brill Publication Date: 01/01/2009 ISBN-13: 9789042027510  Details: Type: Paperback Format: Books
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Agnes Guiderdoni-Brusle est chercheure qualifiee du F.N.R.S. et professeure a l'Universite catholique de Louvain, specialiste de litterature francaise du XVIIe siecle et d'emblematique. Ralph Dekoninck est professeur d'histoire de l'art a l'Universite catholique de Louvain et specialiste des theories de l'image et de l'art des XVIe et XVIIe siecles. Nathalie Kremer est chargee de recherches du Fonds de la Recherche Scientifique - Flandre (FWO) a la Katholieke Universiteit Leuven et specialiste de l'esthetique classique.

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