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Who Hears in Shakespeare?: Shakespeare's Auditory World, Stage and Screen
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Who Hears in Shakespeare?: Shakespeare's Auditory World, Stage and Screen (Hardback)

£65.00
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Synopsis

This volume examines the ways in which Shakespeare's plays are designed for hearers as well as spectators and shows how Shakespeare's stagecraft, actualized both on stage and screen, revolves around various hearing conventions such as soliloquies, asides, eavesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing.

Essays & WritingLiterary CriticismLiterary studies: generalEssays & WritingLiterary CriticismLiterary studies: plays & playwrightsShakespeare studies & criticismEssays & WritingWriting GuidesCreative writing & creative writing guidesFilm, TV & DramaTheatre Publisher: Fairleigh Dickinson University Press Publication Date: 15/12/2011 ISBN-13: 9781611474749  Details: Type: Hardback Format: Books
Availability: Currently unavailable to order online.  

Laury Magnus is professor of humanities at the US Merchant Marine Academy, Kings Point, New York. Her books include Lexical and Syntactic Repetition in Modern Poetry and her New Kittredge Editions of Romeo and Juliet, The Taming of the Shrew, The Comedy of Errors, and Measure for Measure. Her essays and reviews appear in The Shakespeare Newsletter, Literature and Film Quarterly, Connotations, Assays, and College Literature. Her chapter on "Shakespeare on Film and Television" appears in The Oxford Handbook to Shakespeare. Walter W. Cannon is professor of English at Central College in Pella, Iowa, where he teaches early modern literature, including Shakespeare and his contemporaries. His essays and reviews have appeared in The Upstart Crow, Theatre History Studies, and Cahiers Elisabethains. His chapter "The Poetics of Indoor Spaces" appears in Inside Shakespeare: Essays on the Blackfriars Stage.

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