Lion's Share: Remaking South African Copyright - Veit Erlmann; | Foyles Bookstore
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Lion's Share: Remaking South African Copyright
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Lion's Share: Remaking South African Copyright (Paperback)

£21.99
Awaiting publication

Synopsis

In the aftermath of apartheid, South Africa undertook an ambitious revision of its intellectual property system. In Lion's Share Veit Erlmann traces the role of copyright law in this process and its impact on the South African music industry. Although the South African government tied the reform to its post-apartheid agenda of redistributive justice and a turn to a post-industrial knowledge economy, Erlmann shows how the persistence of structural racism and Euro-modernist conceptions of copyright threaten the viability of the reform project. In case studies ranging from anti-piracy police raids and the crafting of legislation to protect indigenous expressive practices to the landmark lawsuit against Disney for its appropriation of Solomon Linda's song "The Lion Sleeps Tonight" for The Lion King, Erlmann follows the intricacies of musical copyright through the criminal justice system, parliamentary committees, and the offices of a music licensing and royalty organization. Throughout, he demonstrates how copyright law is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society.

History & PoliticsRegional & national historyAfrican historyLawLaws of Specific jurisdictionsIntellectual property lawCopyright lawMusic & DanceDanceTheory of music & musicologyMusic & DanceMusic Books Publisher: Duke University Press Publication Date: 16/12/2022 ISBN-13: 9781478018964  Details: Type: Paperback Format: Books
Availability: Awaiting publication Pre-Order

Veit Erlmann is Professor and Endowed Chair of Music History at the University of Texas, author of Reason and Resonance: A History of Modern Aurality and Music, Modernity, and the Global Imagination: South Africa and the West, and editor of Hearing Cultures: Essays on Sound, Listening, and Modernity.

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