Hamnet is the eighth novel by award-winning British author, Maggie O’Farrell. In the summer of 1596, an eleven-year-old boy, the grandson of a Stratford-upon-Avon glovemaker, tries desperately to get medical attention for his twin sister, suddenly struck down with a fever. His mother, skilled with herbs, would know what to do, but she is a mile away tending to her swarming bees. His father is in London, and the physician is on a call. Hamnet is afraid for his beloved twin. This is a story told from multiple perspectives, and while it pivots around the event of Hamnet’s death, it is more the story of his mother, Agnes than anyone else. The split-time narrative alternates between that summer day in 1596 when Hamnet’s sister Judith falls ill, and the significant events in the years leading up to, and following that tragic death. The reader may draw a natural conclusion about the identity of the sixteenth-century Stratford man with ink-stained fingers, but O’Farrell never names him; instead, depending on the perspective of the narrative he might be referred to as the glovemaker’s son, the brother, the Latin tutor, the husband, the brother-in-law, the father, the uncle. History it may be, but this is no dry tome: O’Farrell takes the scant known facts of the playwright’s family life and, with gorgeous prose, richly fills them in, making the historical figures real, warm, living people with feelings and emotions and desires, characters in whom it is easy to invest, with whom it is impossible not to empathise. Only the eyes of the hardest-hearted will not be brimming with tears. O’Farrell is such a talented author; her characters are so well formed, her scene so skilfully set that sixteenth Century Stratford-upon-Avon comes alive, is vivid in the reader’s mind. Her extensive research is apparent on every page, but the historical tidbits are seamlessly woven into the story so that the reader is barely aware of how much they are learning. Utterly enthralling, this is yet another dose of Maggie O’Farrell brilliance.

I wasn't sure if I would enjoy this book as I generally prefer contemporary fiction but I decided to try it as I've loved everything that Maggie O'Farrell has written. Once I started reading it I felt like I couldn't put it down, so well written and I felt every emotion. A wonderful book, the sort of book I could definitely read more than once :)

This novel is extraordinary in so many ways. It completely immerses the reader in the Elizabethan world of the lives of the characters. The free indirect discourse allows for shifts in narrative focus, so that we are let into the private worlds of the characters but also see them through others’ eyes and there is no third person authority dictating our responses. The character of Agnes is at the same time mysteriously other and universally representative of womanhood and motherhood. The difficulty of writing about so famous a man as Shakespeare is dealt with by never naming him, so he is manifest as a son, a lover, a husband, without his greatness intruding into this most personal of stories. The writing is consistently emotionally controlled and evocative, engaging all the senses in the small realities of daily life: the pleasure, the pain, the beauty, the grime. As a lover of Shakespeare I would say that this novel is a worthy addition to his legacy.

Firstly I can fully understand just why this became Waterstones Book of the Year for 2020.

I loved this book. I am a fan of Maggie O’Farrell, but I defy anyone not to enjoy this book as it’s so beautifully written. It works as a stand-alone novel & also provides a fascinating window into Shakespeare’s early life & Britain at that time. Found it particularly interesting to read it during the Coronavirus lockdown, as the parallels between that & the era of the plague are quite spooky.