Exquisitely written, very descriptive prose that pulls you into this story, you can feel the relentless rain and smell the different aromas of this young man who scrapes the shore for prawns. It's hard work, for not much money but with simple desires, Thomas manages as he dreams of music. Set in the North of England in the 50s/60s, this is a wonderfully evocative book and one I highly recommend. Longlisted for the Booker and my favourite read so far...

Atmospheric, evocative, poignant and poetic, Seascraper is a beautifully composed portrait of a young man confined by circumstance and dreaming of a brighter future. Set in the fictitious northern coastal town of Longberry, a young man named Thomas Fleet rises at dawn each day and traverses the bleak and grey beach with his horse and cart, shanking for shrimp to sell to eke out a meagre living. It’s a life of drudgery, hardship and poverty, and he dreams of more, trying to work up the courage to play the songs he writes in secret on the stage, and to muster up the nerve to ask out the girl he likes. But then a bright light appears on the horizon: a Hollywood film maker named Edgar who wants to make a movie on the beach and hires Thomas to be his local guide. Suddenly, his dreams don’t seem so out of reach. But can Thomas trust him? Or is what he’s promising too good to be true? Benjamin Wood is a skilled storyteller. His prose is beautiful, haunting and moving, the story told with detailed finesse that feels delicate and precise. It’s achingly real, portraying the harsh realities of Thomas’s gloomy life and the dreary beach where he spends his days. He brings it all to life with cinematic precision, making me feel for the characters and lose myself in this affecting story. The characters are richly imagined and real, with Thomas and his mother perfectly portraying a life of poverty and Edgar being the embodiment of a Hollywood executive. I enjoyed the stark contrast between them and how they seemed to learn a lot from each other in the short time they were acquainted. But it was Thomas who my heart ached for and I was cheering him on, hoping he’d fulfil his dreams and get the girl. At 163 pages this is a short but powerful read, my only complaint being that I’d have liked it to be a bit longer and for Wood to give us more answers about Thomas’s future. But I feel like the unanswered questions are deliberate and make the story more true to life, where we don’t always get all the answers and things aren’t wrapped up in a neat bow. A short but powerful read, it’s easy to see why this book made The Booker Prize longlist.

Set in a fictional coast town – Longferry (a fictionalised version of the author’s home town and so I think on the North West Coast of England – although this is not specified) and set by deduction in the 1960s (again not specified – and the main protagonist is effectively living what was already then an outmoded almost anachronistic way of life making the exact timing difficult to judge), the novel’s (the Creative Writing Lecturer’s fifth) protagonist is twenty year old Thomas Flett. Thomas is working in the family trade (via his maternal grandfather) as a shanker – taking his horse and cart out across the 1-2 mile long beach at each low water (the book effectively takes place over three such low waters over two days) to scrape just across the sea shore for shrimp - which he then sells for cash in hand to a local merchant. Thomas lives with his mother – his father was her teacher and had relationships with her as a schoolchild before fleeing in disgrace to join up and being killed in the war – and his deliberately unnamed horse (the risk of having to abandon horse in sinkpits in the sand mean that traditionally the shankers have not got too sentimentally attached to their horses – albeit a close working relationship is essential to their trade). Thomas lives a slow, deliberate life with his mother, working his grandpa’s trade as a shanker. He rises early to take his horse and cart to the grey, gloomy beach to scrape for shrimp; spending the rest of the day selling his wares, trying to wash away the salt and scum, pining for Joan Wyeth down the street and rehearsing songs on his guitar. At heart, he is a folk musician, but it remains a private dream. For all Thomas feels almost obliged to pursue this trade and support his mother in her hand-to-mouth home economics, he yearns for a different future and secretly is practising his folk guitar playing while also trying to pluck up (pun intended) the courage to speak to the sister of his best friend. And over the two days of the novel – a new vista opens up when he and his mother are visited by an American filmmaker (who Thomas checks out in a film guide at his local shop) scouting for a location to film his favourite novel set – a mysterious ghost like story set on a desolate American beach and involving an undertaker’s horse and cart. And while not everything about the visitor turns out to be exactly as he initially promised, a beach accident leading to a fevered dream unlocks a creativity in Thomas and leads him to write the titular song. Overall this was a quiet and short but nevertheless impactful novel.

This is a gorgeously atmospheric short read and one I would recommend for the cooler months, especially if you enjoy a character driven book. Seascraper follows Thomas as he goes about his daily life and following in the footsteps of the men before him. Feeling stuck in his life he jumps at the chance of excitement when a stranger comes to town and asks for his advice. This book is so evocative and you really feel as though you are out in the foggy sand with Thomas and feel each turn of the cart’s wheel as if you were actually there. I look forward to whatever Wood releases next.